Knowing and Loving your Digital Camera
A 6 week introductory short course
Monday evenings 6.30pm - 9.00pm
Semester I: 11 March, 18 March, 25 March, 1 April, 8 April, 15 April 2019
Memorable photographs are created, not found. Learning how your camera ‘represents the world’ and how to change its appearance through your camera’s functions and control are critically important skills. Your camera needs to become an extension of your feelings so it never gets in your way, but instead facilitates your creation of more engaging, interesting and meaningful images.
This six-week, introductory short course, team taught by Les and Andrey Walkling provides a thorough introduction to your digital camera and the ‘art of capturing what you see and feel’. Participants meet for two and a half hours each week and undertake focussed exercises (both in-class and between classes) to help you practice and consolidate your learning. Sessions 3 and 6 commence with a review of your work supported by detailed feedback on your progress. Digital SLR, advanced mirrorless cameras and all levels of experience are catered for, and the class size is limited to a maximum of fifteen people plus two instructors to maximise individual attention.
Session 1: Introduction. Understanding your Camera
Begin to befriend the functions and features of your digital camera, and how they affect the appearance and meaning of your images.
Session 2: Composition and Focus Exercises
This session studies composition and the art of focusing. You will understand the different focussing modes and when to use them to facilitate interesting and engaging compositions.
Session 3: Aperture and Depth of Field Exercises
This session is all about depth of field, what it is and how to creatively employ it. Different genres of photography illustrate depth of field priorities and how depth of field changes the spatial relationships in your images.
Session 4: Shutter Speed and Motion Exercises
Concentrate on capturing/expressing photographic motion and how to use shutter speed variations to prioritise motion and its descriptive effect on your images.
Session 5: Colour Balance and Perspective Exercises
This session explores colour and drawing in images, including in-camera colour balance for heightened emotional renderings, and perspective changes to clarify the look and feel of your images.
Session 6: Manual Control Exercises
Recap all of the skills from the previous sessions only now with your camera in full manual mode for the ultimate creative control of every aspect of your image creation.
There is also a course resource website, and each week Les and Andrey add additional resources (notes/videos/images) as well as emailing a detailed summary of what was covered in that class.
Dates and Times
Monday evenings 6.30pm - 9.00pm
Semester 1 2019: 11 March, 18 March, 25 March, 1 April, 8 April, 15 April
Image: Les Walkling, The nature of things
*In registering to participate in this event, you acknowledge you will enter an area where photography, audio, and video recording may occur.
By entering the event premises, you consent to interview(s), photography, audio recording, video recording and its/their release, publication, exhibition, or reproduction to be used for news, web casts, promotional purposes, telecasts, advertising, inclusion on websites, social media, or any other purpose by CCP and its affiliates and representatives. Images, photos and/or videos may be used to promote similar CCP events in the future, highlight the event and exhibit the capabilities of CCP. You release CCP, its officers and employees, and each and all persons involved from any liability connected with the taking, recording, digitising, or publication and use of interviews, photographs, computer images, video and/or or sound recordings.
By entering the event premises, you waive all rights you may have to any claims for payment or royalties in connection with any use, exhibition, streaming, web casting, televising, or other publication of these materials, regardless of the purpose or sponsoring of such use, exhibiting, broadcasting, web casting, or other publication irrespective of whether a fee for admission or sponsorship is charged. You also waive any right to inspect or approve any photo, video, or audio recording taken by CCP or the person or entity designated to do so by CCP.