Centre for Contemporary Photography





Sensory Soundings: Two responses through experimental music




CCP is pleased to invite experimental sound artists, The Overtone Ensemble and Badskin to create unique sonic responses to the work in our current round of exhibitions: Polar Convergence and 23° and Rising. Please join us for a late afternoon of sensory experiences as the exhibitions take on a new presence through the addition of responsive, live sound works.

The Overtone Ensemble
Tim Catlin, David Brown, Philip Brophy and Atticus Bastow

Tim Catlin formed The Overtone Ensemble in 2012 to perform using his self built “vibrissa’ instruments, which are longitudinally stroked by hand to produce a sustained singing sound.

The group create drone-based, immersive soundscapes, a liminal zone where acoustic instruments vibrate with eerie electronic verisimilitude and familiar instruments sound strangely alien. The overall effect is of a shimmering sound field full of internal movement, strange harmonies and pulsating beauty.

The Overtone Ensemble have performed at festivals such as Mona Foma , Slow Music, NOW now, Sound Out, and Liquid Architecture as well as various galleries and clubs. Group members have a long history of involvement in experimental music, sound art and improvised music both within Australia and internationally.

Badskin
C.M. Oliver is a guitarist and composer based in Melbourne, Australia. Her project, Badskin, engages aspects of the self, belonging, and the ways in which these states of flux seek an anchor.

Her recent debut album Where Was I is a thick description of this field of inquiry, from the amniotic rainforests of her home in North Queensland to the gaudy drones of Melbourne. There is an audible struggle between the varying densities of these two locations as they meet in ceremonious recollection.

Image: The Overtone Ensemble performance at Mona Foma Festival, photo: Jo Jepsen.

*In registering to participate in this event, you acknowledge you will enter an area where photography, audio, and video recording may occur.

By entering the event premises, you consent to interview(s), photography, audio recording, video recording and its/their release, publication, exhibition, or reproduction to be used for news, web casts, promotional purposes, telecasts, advertising, inclusion on websites, social media, or any other purpose by CCP and its affiliates and representatives. Images, photos and/or videos may be used to promote similar CCP events in the future, highlight the event and exhibit the capabilities of CCP. You release CCP, its officers and employees, and each and all persons involved from any liability connected with the taking, recording, digitising, or publication and use of interviews, photographs, computer images, video and/or or sound recordings.

By entering the event premises, you waive all rights you may have to any claims for payment or royalties in connection with any use, exhibition, streaming, web casting, televising, or other publication of these materials, regardless of the purpose or sponsoring of such use, exhibiting, broadcasting, web casting, or other publication irrespective of whether a fee for admission or sponsorship is charged. You also waive any right to inspect or approve any photo, video, or audio recording taken by CCP or the person or entity designated to do so by CCP.

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